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Ecological Film Theory and Psychoanalysis: Surviving the Environmental Apocalypse in Cinema

Author(s) : Robert Geal

Table of Contents

Introduction
1. Environmental crisis and epistemological crisis: Ecologically-destructive Cartesian subjectivity
2. Cinema spectatorship as an illusory Cartesian ‘symptom’
3. Realist film as cogito-centric film
4. Surviving environmental disasters in film ‘lifeboats’
5. Surviving environmental apocalypse in film ‘lifeboats’
6. Survivors in post-apocalyptic environmental dystopias
7. The possibilities of non-Cartesian film
Conclusion